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VS//YOUTHCLUB is made up of two jaded composers from the industrial wastelands of the North, plotting an escape route through dying Apple products. The past year has seen the project transcend time zones, the internet become our surrogate home and our hardware transformed into a graveyard of false starts and failed realisations, as we perfected our own sound of utopian synths and grandiose beats bolstered by undiplomatic, unapologetic lyrics with a 'slightly druggy' delivery.
New Luca's Ray Rework of §₮✺₭¥♤ $μŇℜ❙$Ξ ®▲₥ΞΠ ₡❘✝¥ ℉ ĦÚ₪Ŕ¥ ĜĦ♤✝$/Beat Imprint REWORK by LUCAS RAY Free Alternative take mix up for you to download, please comment on this on w'd like you opinion.
This is one of those tracks I tracked the producer down joints & it's DR. LUKE:
It's funny with the almost last 5/7+ years of Dubstep, producers & Hip Hop specifically making the most of
heavy distorted bass...
here's his wiki
Lukasz Gottwald (born September 26, 1973), better known as Dr. Luke, is an American songwriter, record producer, and remixer. Luke performed with the Saturday Night Live Band for ten seasons until 2007. He has co-written and co-produced a string of commercially successful songs. He was named one of the top ten producers of the decade by Billboard in 2009, was awarded Producer of the Year and Songwriter of the Year awards in 2009 and won the Songwriter of the Year Award at the 2010 and 2011 American Society of Composers, Authors and Publishers (ASCAP) Pop Music Awards. Gottwald was also named both the Number One Hot 100 Songwriter of the Year and Number One Producer of the Year by Billboard. [1][2]
I know he's been killing it for a minute, but i've really getting into his instrumentals lately, check the track i'm god, & i posted a link to the instrumental mixtape @ the bottom...
for production and general inquiries, contact: bengaffin at gmail . com
"Clams Casino might just be the hottest producer on the planet right now. For some time his electrifying beats have been lighting up mixtapes for Lil B, Souljah and other unique personalities in the new rap underground, but recently he's stepped out of the shadows to become acclaimed in his own right, releasing his own instant-classic Instrumentals mixtape, and now proffering a timely EP on Tri Angle, his debut release proper. Those expecting more of the ruggedly romantic R&B infusions he's best known for will be initially surprised, but ultimately enchanted, by the more knotty, abstract direction he's taken for 'Rainforests'. With its foregrounding of crackle, 'Natural' could almost be mistaken for The Caretaker making hip-hop, were it not for the generous dosage of Clams' signature whooshing synth atmospherics and amorphous vocal moans. 'Treetop' is just beautiful, wistul techno arpeggios and barely-there beats foraging forlornly through an ambience of exotic birdsong and high-altitude air pressure. Rhythm is back in the foreground for ‘Waterfalls’, but again this is a tune built to deliver a substantial emotional payload rather than cheap club thrills; 'Drowning' maintains the almost gothic sensibility of the EP, pattering snares, piano chords and sepulchral synth jabs ebbing and flexing in the ether. There's a release of sorts for 'Gorilla', razor-sharp strings lifting the blunted percussion heavenwards, but this vertical ascent isn't quite enough to suppress the all-pervasive feelings of heartache and listlessness. Rainforest is an isolationist hip-hop epic that accords perfectly with the Tri Angle aesthetic while also affirming and deepening Clams' singular production style; it's a new benchmark in the bedroom hip-hop revolution, the real sh*t, and totally essential."
